Ticking the boxes of the post-rock format, “Rimshot” by Nagetto unleashes a tsunami of dense noise that lunges forward like a cavalcade of war horses.
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What happens when you apply strings to the songcraft of respected singer-songwriters like weish, lewloh, Amanda Tee and more? That’s the twist of this live gig.
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Amidst the waking dawn of a formidable 2022, Sun Cell is just starting to rise above the horizon with his debut single, “New Year”.
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The seven-piece collective delivers a hefty sound on their new debut album, exploring dream-pop effervescence and shoegaze intensities.
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Their debut single, “Best Friend”, shines with snug summertime riffs, coats of dreamy fuzz, and feathery vocals that slice through the corpus of noise.
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On surf-tinted single “Don’t Bother Me”, The Pinholes sound like they haven’t aged in their nearly 20-year career, and that is precisely the magic of their music.
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The Observer is a full-length that is as spunky as their capricious performances; a deluge of wild-card deliveries that flip the script with neo-soul and nu-jazz formats.
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The New Modern Lights are a bunch of young guns who sound like they belong a decade earlier, yet they’ve managed to build a standing that’s irrefutably current.
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Altoduo flaunt a remarkable level of technical prowess that bounces between the two core members, functioning optimally like a well-oiled machine in motion.
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Opening up its venues to live audiences, the Mosaic Music Series returns with shows from Bitty, The Steve McQueens, Dru Chen, Rangga Jones, and Saints Amongst Sinners.
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Capturing the hurricane moments of their youth is Carpet Golf, a new indie quartet with members from Subsonic Eye, Charm and The Neptune Waves. Enter their “brotherhood soup”.
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Revered rock legends, The Oddfellows, continue to be rebellious misfits with new single, “Silent Worlds”, taken off their upcoming third album that’s 29 years in the making.
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Launched in 2008 by Republic Polytechnic students, the annual music festival is respected as one of the longest-running events in the scene. This is how it all comes together.
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How do you build a world no one’s ever seen? And how do you entertain a restless community while supporting an industry in its most trying time? The team of Take Back The Nights plugs into this interview.
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Marian possesses a voice that you can leave on loop; always euphonious, always captivating, with themes that might make you ponder over your own skeletons in the closet.
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Collaboration is the core of DSML’s output, and that’s what makes him whimsically unpredictable as an electronic producer, with works spanning funk-pop, hip-hop and soultronica.
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If you had any cynicism about the state of local pop music, brb. could very well flip your perspective with their new sophomore EP, fleur.
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Their debut release, “Take It”, is a piece of musical déjà vu, while comically documenting the scenario of how to deal with an awkward robbery.
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The historic songwriter behind Humpback Oak and The Observatory adds another triumph to his legacy with this new seven-track EP.
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The soulful pop artiste formerly known as bittymacbeth re-emerges as Bitty, now flaunting a self-titled EP that touches on tough topics like loss and financial woes.
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