“Transportation Blues” isn’t a ride that reinvents the wheel, but it’s one that’ll whisk you away into a place that feels familiar.
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The 2022 edition of Fred Perry’s signature series features Subsonic Eye, Forests, lewloh and EMONIGHTSG for a full-fledged live show.
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CURB’s debut eight-track album is a menagerie of individual anecdotes and collective experiences in the universal journey of growing up.
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As a robust six-piece, these prowling wildcats spew out a classic alt-rock aesthetic that strikes with the nostalgia of a weathered but untoppable era
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It’s hardy, razor-sharp and piercing with the offence of 1,000 Needles. The sound of Cactus Cactus has been let out of the bullpen. You’ve been warned.
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A miasma of obstacles hindered the psych-rockers for seven years, but it eventually paid off with the release of their third album, Lucy.
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Featuring three tracks from their comeback album, Hiss, the crime-themed trilogy is a furious barrage that shows the grindcore champions back on form.
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Firing the first shots from Aggressive Raisin Cat’s debut EP is “Ramen”, and there’s a lot to digest in this soup of anarchy.
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Ticking the boxes of the post-rock format, “Rimshot” by Nagetto unleashes a tsunami of dense noise that lunges forward like a cavalcade of war horses.
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The seven-piece collective delivers a hefty sound on their new debut album, exploring dream-pop effervescence and shoegaze intensities.
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Their debut single, “Best Friend”, shines with snug summertime riffs, coats of dreamy fuzz, and feathery vocals that slice through the corpus of noise.
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On surf-tinted single “Don’t Bother Me”, The Pinholes sound like they haven’t aged in their nearly 20-year career, and that is precisely the magic of their music.
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The Observer is a full-length that is as spunky as their capricious performances; a deluge of wild-card deliveries that flip the script with neo-soul and nu-jazz formats.
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The New Modern Lights are a bunch of young guns who sound like they belong a decade earlier, yet they’ve managed to build a standing that’s irrefutably current.
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The Esplanade’s annual music spectacle takes big strides on its 20th anniversary, welcoming industry legends, rising hotshots and special tie-ins with local collectives.
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Altoduo flaunt a remarkable level of technical prowess that bounces between the two core members, functioning optimally like a well-oiled machine in motion.
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Capturing the hurricane moments of their youth is Carpet Golf, a new indie quartet with members from Subsonic Eye, Charm and The Neptune Waves. Enter their “brotherhood soup”.
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Is Mediacorp’s indiego web radio programme going to be the next movement that adds legitimacy to Singaporean music? Time will tell.
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Revered rock legends, The Oddfellows, continue to be rebellious misfits with new single, “Silent Worlds”, taken off their upcoming third album that’s 29 years in the making.
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Launched in 2008 by Republic Polytechnic students, the annual music festival is respected as one of the longest-running events in the scene. This is how it all comes together.
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