How do you build a world no one’s ever seen? And how do you entertain a restless community while supporting an industry in its most trying time? The team of Take Back The Nights plugs into this interview.
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Marian possesses a voice that you can leave on loop; always euphonious, always captivating, with themes that might make you ponder over your own skeletons in the closet.
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Collaboration is the core of DSML’s output, and that’s what makes him whimsically unpredictable as an electronic producer, with works spanning funk-pop, hip-hop and soultronica.
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If you had any cynicism about the state of local pop music, brb. could very well flip your perspective with their new sophomore EP, fleur.
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Their debut release, “Take It”, is a piece of musical déjà vu, while comically documenting the scenario of how to deal with an awkward robbery.
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The historic songwriter behind Humpback Oak and The Observatory adds another triumph to his legacy with this new seven-track EP.
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The soulful pop artiste formerly known as bittymacbeth re-emerges as Bitty, now flaunting a self-titled EP that touches on tough topics like loss and financial woes.
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The indie-pop singer-producer continues her independent growth with a peppy new single, half a year after her debut full-length.
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Dreaming Life vividly introduces the serene reverie of Kekko, flowing like a kaleidoscopic, psychedelic dream from start to finish.
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“TETRIS” is a piece where she openly embraces her bizarre quirks that grind against the norm, fleeing from generic behaviour and cookie-cutter expectations.
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This is an Electrico riding on a new wave of untapped energy. The industry patriots share more about their return and their new EP, Left of the Century, that also marks their 25th anniversary.
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The mirage of desire often plays tricks on the mind, especially in the capricious territory of love. Dnl. and Axel Brizzy wax lyrical about it on their new single, “Fantasy”.
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Ratmir Johnson is an identity that wraps the hip-hop artiste’s expressions in steel, giving him the muscle and gusto to make art as he sees fit.
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This Isn’t Where I Want To Be is an intoxicating dream-pop sojourn that soothes, providing an escape that’s hard to snap back from.
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Whether it’s through her personal anecdotes or bold musical leaps, Brielle Kaga is an indie-pop singer-songwriter who will capture your attention.
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Despite coming from reputable past projects that include Giants Must Fall, wyd:syd and enec.e, the members of FERS unleash a dreamy outfit that sounds brand new.
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The rapping human vegetable has peeled off another layer from his sprouting repertoire, teaming up with Beansprouts and Fauxe on production duties for his latest release.
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Toying with loose wordplay and capricious phonetical rhythms, yams governs his own flow much like the freedom of a spoken word poet, full of conviction and magnetism.
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Smooth like clockwork, the undeniable rapport between the beatmaker and rapper has unleashed tracks that brandish old-school hues and stirring lyrical poetry.
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The weekly live series coincides with the digital release of the band’s catalogue, culminating in a brand new EP of remade, reinvigorated classics.
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